Behind the Comic – Anatomy of a Panel – In Our Dreams Awake #2

In Our Dreams Awake #3 is currently Live on Kickstarter!

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As a comic book writer, we are doing the best we can to take the thoughts and images in our head and describe it in a way where the artist can have some idea of what we originally meant to show up on the page. The amazing thing about artists, though, is they take that mess of words and somehow (through magic is the only way I can figure) create an image (or series of images) which end up being a way better version of whatever I had in my head to start. Those are some of the best days, when you open up your email to get a new page and it leaves you speechless. Where you want to go back to your script to see how in the world they made it so much better.

Page 17 Panel 1 Pencils – Edgar Salazar Inks – Genaro Olavarrieta Colors – Javi Laparra

The Team
Pencils – Edgar Salazar
Inks – Genaro Olavarrieta
Colors – Javi Laparra
Letters – Alexander Lugo
Writer – John McGuire

Concept
This panel represents a bit of the calm before the storm. At the end of last issue, Fantasy Jason spotted this very same spacecraft in his (illegal) telescope. Now he finds himself commissioned to draw it. In so many ways, this is exactly what his curious mind truly wants to do. Somewhere inside him is a person who wants to see the strangeness in the world.

The very truth of things which cannot be obscured by those in charge.

Here we are with our artist sitting on top of a hill, trying to draw this literal alien craft as the workers go about disassembling it. He’s not sure whether this thing will be studied or destroyed, so it may be his pictures will be all there is left for anyone to know this machine existed.

The Script

Page 17 Panel 1

Jason has paint on his clothes, face, and has various sketches, scroll casings, and papers lying all around him. He has a sense of wonder and awe at what he is witness to. Magus move past him with pieces of the ship.

For this panel, the time is 13:00.

Caption – Early Afternoon.

Peter (caption) – It will eventually be dismantled, so we need accurate records.

Breakdown

Edgar and Genaro did a great job here really nailing this moment. The butterfly fluttering just above Jason provides a very relaxing moment in the midst of the overall craziness which is not only occurring in that moment, but really has been occurring since the day before (Issue 1) and is a bridge to what awaits our hero throughout the remainder of Issue 2.

He placed the papers on the ground beside him, so the reader can see that he has been hard at work for a little while already. And he has an in progress piece on the easel to his left.

On top of that, Javi’s colors are perfect here. The greens, browns, and blues put the characters and the reader at a sort of ease (hopefully).

And while I haven’t shown your the entire page here, the overall feel is much the same as Jason pours himself into this project. Maybe even forgetting for a moment that this craft from his dreams is actually real and true.

Lost in the moment. Lost in the painting.

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The Kickstarter for Issue #3 is still going. Click the link below and check it out!

https://www.kickstarter.com/projects/ioda/in-our-dreams-awake-3-a-dreampunk-comic

Behind the Comic: The God That Failed

Of the four of us who write on the Tessera Blog, I’m the comics guy. Though that is a bit of a misnomer as I know both Chad and Amanda read comics as well. However, on the writing side of things, until The Dark That Follows came out, the only thing I’ve ever gotten published is in the comics field, so…

The first comic book story I ever wrote was composed while I was at my day job in about 10 minutes time. I’m not talking about the basic beats of this 8-page story, but the full script was furiously jotted down on scrap paper to the point that the rest of the world no longer existed (probably a good thing my boss didn’t walk by me at that point, I wouldn’t have noticed him). This idea of a superhero story that wasn’t just the typical story that you’d normally get. That’s what I was shooting for. That and something that could be told in a short form (8 pages).

Now forget that I had no idea what a comic book script was supposed to look like format wise… at least not really. I had this vague idea that I’d need to break this plot down into pages and that those pages would need to be broken down into panels, but for some reason I either couldn’t or just wouldn’t do that. Instead the script that I delivered to the artist was mostly composed of narration and some vague attempts at “Hey this would be an interesting image to appear somewhere on this page”.

But of all of the things I’ve written, The God That Failed holds a special place in my heart. Most likely because it was the first thing I got published in a comic (it appeared in Terminus Media Presents: Evolution Book 1), but I think it also was that first spark which showed that maybe, perhaps, this dream I had since I was all of 10 years old scribbling ideas in a blue spiral notebook might be attainable.

Evolution-Book-one-cover-lo

Since the internet loves a list, here are 10 things (Why 10? Because that’s how many I came up with!) about my first comic that might strike your fancy, a behind the scenes, if you will:

1- The story is online, for free at Terminus Media’s webpage. Click here to give it a read and tell me what you think in the comments section below (on Terminus’s site or on this very blog).

2- John Etienne was the artist on the story. The only reason that Etienne was my artist is because I had approached him a couple of months earlier, before the idea of doing an anthology was even a real thought in anyone’s head. However, it wasn’t because I had this story lined up. No, instead I had wanted him to draw an 8 page Moon Knight story for me (not sure what my goal there would have been). Lucky for me he didn’t have time right then to work on anything, and when the anthology project was finally launched I had a story of my own.

3- John Etienne happens to know my Mother-in-Law. She played a trick on him once the comic was out by telling him that not only had she gone to Dragon Con, but she had bought this comic book and wondered if he was the artist on it. “I always go to Dragon Con, and I love comic books”. After a few dumb-founded seconds she fessed up, but both of them later relayed the story to me (and the look on his face as he wasn’t sure if he’d stepped into Bizzaro world or not). I believe Etienne’s words were to me that he just couldn’t see her at Dragon Con. Though, I would pay good money to see her downtown on Labor Day weekend.

4- There was some debate about the order of the stories within the book. I generally like to be the nice guy about most things, but by my thinking I believed you either wanted to be the first story or the last story in the book (actually we all may have thought those spots were the best). I ended up with the last story position, but when the first story ended up delayed (or abandoned, I can’t remember) everyone agreed to put The God That Failed into the first position. Again, I have to thank Etienne for actually being the first one finished with his pages which made the choice fairly easy plus they looked pretty damn good as well, which did not hurt our cause).

5- I mentioned in the last blog that my favorite superheroes are Spider-Man and The Flash. The God That Failed was my idea of what would happen to a guy who received the abilities of The Flash, but that power was burning him up inside.

TheFlash

6- In my original script, page 7 was actually page 6, and page 6 was page 7. Given the way the narration was done the story wasn’t as much linear as it was a guy talking about his friend who was disappearing from the world. When I actually saw the finished pages I had those two flipped given the way the story played out. That being said, page 7 is a “what if” moment, not something that the character actually did (he didn’t need to get more power, he already had way too much).

7- Though I love the serialized format of comic books, this was always a stand-alone story… a cautionary tale, a new myth or something. Thus began my apparent need to tell complete stories (done in one) in comics. That continues today with The Gilded Age. But the real reason that I didn’t want to have him as a new hero for future stories was that I had no idea if or when I’d ever get a chance to do more comics. And as a reader there is nothing more frustrating than buying a comic that says “To Be Continued” and then not ever finding the rest of the story.

8- The main character’s name was John Smith; however, it wasn’t because two Johns worked on the story. I wanted a generic name, someone who might be easily forgotten regardless of all the good deeds he might have done. That fear is something that I know I have and I was channeling that fear into John Smith. This is really summed up to me on pages 5 & 6 but mostly in panel 4 on page 5. John carving into the Easter Island statues is not him destroying something precious; it is his attempt to prove that he existed at all. I sometimes wonder if he did that all over the world.

9- The title is taken from the title of a song on Metallica’s Black Album. I just liked the way it sounded, and since superheroes many times are considered gods, it fit exceptionally well in my mind.

Now I probably owe them money or something.

10- My favorite page of the story is the last one. I think (I hope) that I dodged becoming too preachy by having that last panel thrown in there. I love the idea of another what if… this one being, of course, what if John Smith had lived. The shot of The Fruit Fly conjures up memories of a 10-year old me. I think he would have gotten a kick out of that.

behindthemusic-thumb-3

So there you go, a few bits and pieces about the story… my own commentary track. Sadly it is not like the old VH1’s Behind the Music because at no point could I really say “And then tragedy struck”.

Or maybe not so sadly…

 

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the recently released anthology Beyond the Gate, which is free on most platforms!

This post originally appeared on tesseraguild.com.