In Our Dreams Awake – The Untold/Forgotten Bits

This is a reminder that we are in the last week of the Kickstarter Campaign for Issue #3 of In Our Dreams Awake. At 11:59 PM on Friday night, we’ll reach the end of the road for this one. We’ve hit our initial goal of $500 and are moving toward $1000!

If you haven’t done so already, go to the Kickstarter Page and check out the project:

https://www.kickstarter.com/projects/ioda/in-our-dreams-awake-3-a-dreampunk-comic

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I’m not necessarily one to find/look for meaning in signs in my life. Oh, I’m not immune to it and have my own superstitions, but I don’t spend too much time considering it. However, whether I believe in them or not, there are little things in our everyday world which sometimes lay out a message you might be on the right track. Small reminders, universal beats to help subtly (or perhaps not-so-subtly) guide you. Maybe it’s something which has seeped out of your subconcious to help create the eventual path in the first place.

As close in on the end of the Kickstarter for Issue #3, I went looking through the old emails for the project, trying to find the little bit and pieces that I had long forgotten in the past 15+ years. The back and forth in the earliest of days between Egg and myself as we worked the story, bouncing ideas off each other, trying only to improve on the building blocks of the story each time. Those moments of inspiration where we began discovering things about the characters and what their goals may or may not be.

Sort of a…

Without the Marvel Part

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Some of the things in the very original breakdown:

The first outline was for a 9-issue story. Talk about being overly ambitious on what we might be able to do all those years ago (remind me one day to tell you the 60 issue story I have for Moon Knight – if only Marvel would call!).

Jason Byron was originally an important man. He was not a simple artist just trying to live his life, but instead was going to be a Lord or Duke of some sort.

In the Cyberpunk story there was going to be something much more similar to the movie Office Space in regards to his job. I have no idea how that was going to work. Definitely no gangs. And no angry cats. No Drowned London.

Jason would have much more of a comprehension of what was going on between the Dream worlds very early in the process. As seen in issue 1, these two worlds are tied together by him, but as things begin to spiral a bit, those worlds can start to bleed over.

There was an assassination attempt on Fantasy Jason. I totally didn’t remember that one at all.

As opposed to splitting issues between the two Dreams, we’d spend the full issue in one before switching over to the other. At least early on that would mean no “flip-book” feel to things. I mean, we obviously had 9 issues to fill, so why not really deconstruct this story!

Image by Gerd Altmann from Pixabay

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So what were the guideposts that helped us along?

The biggest one was the quote from Henry David Thoreau. Egg discovered it somewhere and suddenly we had a proper title for the story.

At Christmas that year, I received a series of writing themed gifts. One of them were Post-It notes with the Edgar Allan Poe quote on it. It almost felt like they’d read our emails.

I was listening to Van Halen, and suddenly realized the lyrics for “Love Walks In” feels like they are describing Jason Byron’s whole problem…

Love Walks In – Van Halen

Contact is all it takes
To change your life to lose your place in time
Contact! Asleep or awake
Coming around you may wake up to find
Questions deep within your eyes,
Things you’ve never realized

CHORUS

So when you sense a change
Nothing feels the same
All your dreams are strange, love comes walkin’ in
Some kind of alien
Wait for the opening
Then simply pulls a string
Another world, some other time
You lay your sanity on the line
Familiar faces familiar sights
Reach back remember with all your might
Ohh there she stands in a silken gown
Silver lights shining down

CHORUS

Love comes walkin’ in
Sleep and dream is all I crave
I travel far across the Milky Way
To my master I become a slave
Til we meet again some other day
Where silence speaks as loud as war
And the earth returns to what it was before

CHORUS

Love comes walkin’ in

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At the end of the day, the story is one we felt compelled to tell. In our email echange, Egg asked me a key question about the story:

“Is this a story of hope or failure?”

And I like my response, because even through all the tweaks and changes to the very first kernel of an idea, I think we’ve kept to this singular guiding light:

“The story, at its core, is probably a little of both (failure and hope). Hope that our lives can be brighter than they are but also failure in the risk of not living in reality. Plus, there’s the issue of what reality is truly. Is it what we perceive, or is it what others perceive?”

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Remember there is only two and half days left to back the project! And thank you for all the support up until now!

Behind the Comic – Anatomy of a Panel – In Our Dreams Awake #2

In Our Dreams Awake #3 is currently Live on Kickstarter!

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As a comic book writer, we are doing the best we can to take the thoughts and images in our head and describe it in a way where the artist can have some idea of what we originally meant to show up on the page. The amazing thing about artists, though, is they take that mess of words and somehow (through magic is the only way I can figure) create an image (or series of images) which end up being a way better version of whatever I had in my head to start. Those are some of the best days, when you open up your email to get a new page and it leaves you speechless. Where you want to go back to your script to see how in the world they made it so much better.

Page 17 Panel 1 Pencils – Edgar Salazar Inks – Genaro Olavarrieta Colors – Javi Laparra

The Team
Pencils – Edgar Salazar
Inks – Genaro Olavarrieta
Colors – Javi Laparra
Letters – Alexander Lugo
Writer – John McGuire

Concept
This panel represents a bit of the calm before the storm. At the end of last issue, Fantasy Jason spotted this very same spacecraft in his (illegal) telescope. Now he finds himself commissioned to draw it. In so many ways, this is exactly what his curious mind truly wants to do. Somewhere inside him is a person who wants to see the strangeness in the world.

The very truth of things which cannot be obscured by those in charge.

Here we are with our artist sitting on top of a hill, trying to draw this literal alien craft as the workers go about disassembling it. He’s not sure whether this thing will be studied or destroyed, so it may be his pictures will be all there is left for anyone to know this machine existed.

The Script

Page 17 Panel 1

Jason has paint on his clothes, face, and has various sketches, scroll casings, and papers lying all around him. He has a sense of wonder and awe at what he is witness to. Magus move past him with pieces of the ship.

For this panel, the time is 13:00.

Caption – Early Afternoon.

Peter (caption) – It will eventually be dismantled, so we need accurate records.

Breakdown

Edgar and Genaro did a great job here really nailing this moment. The butterfly fluttering just above Jason provides a very relaxing moment in the midst of the overall craziness which is not only occurring in that moment, but really has been occurring since the day before (Issue 1) and is a bridge to what awaits our hero throughout the remainder of Issue 2.

He placed the papers on the ground beside him, so the reader can see that he has been hard at work for a little while already. And he has an in progress piece on the easel to his left.

On top of that, Javi’s colors are perfect here. The greens, browns, and blues put the characters and the reader at a sort of ease (hopefully).

And while I haven’t shown your the entire page here, the overall feel is much the same as Jason pours himself into this project. Maybe even forgetting for a moment that this craft from his dreams is actually real and true.

Lost in the moment. Lost in the painting.

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The Kickstarter for Issue #3 is still going. Click the link below and check it out!

https://www.kickstarter.com/projects/ioda/in-our-dreams-awake-3-a-dreampunk-comic

Behind the Comic: The God That Failed

Of the four of us who write on the Tessera Blog, I’m the comics guy. Though that is a bit of a misnomer as I know both Chad and Amanda read comics as well. However, on the writing side of things, until The Dark That Follows came out, the only thing I’ve ever gotten published is in the comics field, so…

The first comic book story I ever wrote was composed while I was at my day job in about 10 minutes time. I’m not talking about the basic beats of this 8-page story, but the full script was furiously jotted down on scrap paper to the point that the rest of the world no longer existed (probably a good thing my boss didn’t walk by me at that point, I wouldn’t have noticed him). This idea of a superhero story that wasn’t just the typical story that you’d normally get. That’s what I was shooting for. That and something that could be told in a short form (8 pages).

Now forget that I had no idea what a comic book script was supposed to look like format wise… at least not really. I had this vague idea that I’d need to break this plot down into pages and that those pages would need to be broken down into panels, but for some reason I either couldn’t or just wouldn’t do that. Instead the script that I delivered to the artist was mostly composed of narration and some vague attempts at “Hey this would be an interesting image to appear somewhere on this page”.

But of all of the things I’ve written, The God That Failed holds a special place in my heart. Most likely because it was the first thing I got published in a comic (it appeared in Terminus Media Presents: Evolution Book 1), but I think it also was that first spark which showed that maybe, perhaps, this dream I had since I was all of 10 years old scribbling ideas in a blue spiral notebook might be attainable.

Evolution-Book-one-cover-lo

Since the internet loves a list, here are 10 things (Why 10? Because that’s how many I came up with!) about my first comic that might strike your fancy, a behind the scenes, if you will:

1- The story is online, for free at Terminus Media’s webpage. Click here to give it a read and tell me what you think in the comments section below (on Terminus’s site or on this very blog).

2- John Etienne was the artist on the story. The only reason that Etienne was my artist is because I had approached him a couple of months earlier, before the idea of doing an anthology was even a real thought in anyone’s head. However, it wasn’t because I had this story lined up. No, instead I had wanted him to draw an 8 page Moon Knight story for me (not sure what my goal there would have been). Lucky for me he didn’t have time right then to work on anything, and when the anthology project was finally launched I had a story of my own.

3- John Etienne happens to know my Mother-in-Law. She played a trick on him once the comic was out by telling him that not only had she gone to Dragon Con, but she had bought this comic book and wondered if he was the artist on it. “I always go to Dragon Con, and I love comic books”. After a few dumb-founded seconds she fessed up, but both of them later relayed the story to me (and the look on his face as he wasn’t sure if he’d stepped into Bizzaro world or not). I believe Etienne’s words were to me that he just couldn’t see her at Dragon Con. Though, I would pay good money to see her downtown on Labor Day weekend.

4- There was some debate about the order of the stories within the book. I generally like to be the nice guy about most things, but by my thinking I believed you either wanted to be the first story or the last story in the book (actually we all may have thought those spots were the best). I ended up with the last story position, but when the first story ended up delayed (or abandoned, I can’t remember) everyone agreed to put The God That Failed into the first position. Again, I have to thank Etienne for actually being the first one finished with his pages which made the choice fairly easy plus they looked pretty damn good as well, which did not hurt our cause).

5- I mentioned in the last blog that my favorite superheroes are Spider-Man and The Flash. The God That Failed was my idea of what would happen to a guy who received the abilities of The Flash, but that power was burning him up inside.

TheFlash

6- In my original script, page 7 was actually page 6, and page 6 was page 7. Given the way the narration was done the story wasn’t as much linear as it was a guy talking about his friend who was disappearing from the world. When I actually saw the finished pages I had those two flipped given the way the story played out. That being said, page 7 is a “what if” moment, not something that the character actually did (he didn’t need to get more power, he already had way too much).

7- Though I love the serialized format of comic books, this was always a stand-alone story… a cautionary tale, a new myth or something. Thus began my apparent need to tell complete stories (done in one) in comics. That continues today with The Gilded Age. But the real reason that I didn’t want to have him as a new hero for future stories was that I had no idea if or when I’d ever get a chance to do more comics. And as a reader there is nothing more frustrating than buying a comic that says “To Be Continued” and then not ever finding the rest of the story.

8- The main character’s name was John Smith; however, it wasn’t because two Johns worked on the story. I wanted a generic name, someone who might be easily forgotten regardless of all the good deeds he might have done. That fear is something that I know I have and I was channeling that fear into John Smith. This is really summed up to me on pages 5 & 6 but mostly in panel 4 on page 5. John carving into the Easter Island statues is not him destroying something precious; it is his attempt to prove that he existed at all. I sometimes wonder if he did that all over the world.

9- The title is taken from the title of a song on Metallica’s Black Album. I just liked the way it sounded, and since superheroes many times are considered gods, it fit exceptionally well in my mind.

Now I probably owe them money or something.

10- My favorite page of the story is the last one. I think (I hope) that I dodged becoming too preachy by having that last panel thrown in there. I love the idea of another what if… this one being, of course, what if John Smith had lived. The shot of The Fruit Fly conjures up memories of a 10-year old me. I think he would have gotten a kick out of that.

behindthemusic-thumb-3

So there you go, a few bits and pieces about the story… my own commentary track. Sadly it is not like the old VH1’s Behind the Music because at no point could I really say “And then tragedy struck”.

Or maybe not so sadly…

 

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the recently released anthology Beyond the Gate, which is free on most platforms!

This post originally appeared on tesseraguild.com.